DH Lawrence was a man famed for his rage. When I was the literature editor for LeftLion magazine I created a feature called The Endless Rage of DH Lawrence, whereby we had him mouthing off about modern problems. It was great fun to write, and a weird experience as I spent a lot of my time wondering what Lawrence would say if he was asked if he wanted a carrier bag after purchasing a pack of chewing gum in Tescos. How he would loathe the incompetence of modern life.
Lawrence’s rages could consist of an irrational outburst or simply scalding someone because he disagreed with their view point. But often his rage was born out of frustration. Take June of 1912 as an example. Lawrence had fallen in love with Frieda Weekley, a married woman and mother of three children. He persuaded Frieda to run away with him but her husband, Ernest, wasn’t making things easy for them, demanding that his wife return home or else she would never see her children again. Their affair was an absolute scandal, especially given the taboos around divorce and the prevailing morality of the time. Lawrence also had the first draft of his third novel, Sons and Lovers, rejected by William Heinemann. He needed the money in order to provide for Frieda, and so these two issues culminated in an explosive volley of vitriol to Edward Garnett, his friend and literary editor, on 3 July, 1912.
“Curse the blasted, jelly-boned swines, the slimy, the belly-wriggling invertebrates, the miserable sodding rotters, the flaming sods, the snivelling, dribbling, dithering palsied pulse-less lot that make up England today. They’ve got white of egg in their veins, and their spunk is that watery it’s a marvel they can breed. They can but frog-spawn — the gibberers! God, how I hate them! God curse them, funkers. God blast them, wish-wash. Exterminate them, slime.
I could curse for hours and hours — God help me.”
We’ve taken a few extracts from the letter and included it in the video above, which you can also find on our Instagram account. We absolutely love Lawrence when he’s in a rage. Nobody else can do spiteful and witty like him. This scathing attack on his perceived enemies suggests if Lawrence were alive today, he’d hold his own in a rap battle!
In the DH Lawrence Memory Theatre we want to think differently about literary criticism. Instead of following a traditional linear narrative, such as a biography, we want to tell Lawrence’s life through artefacts. We believe that this is the best way to represent a complex and contradictory life. But how do we capture this rage? Perhaps we will have a drawer in our memory theatre that doesn’t quite open so that audiences get frustrated trying to interact with it. Or maybe we need a rage-ometer that calculates the velocity of Lawrence’s moods at different periods in his life. And how about your own rage? Do we need some kind of recording device so that the public can vent off about Brexit, zero hour contracts, and being forced to hear about Kim Kardashian every time we switch on the TV?
The above short is our first real promotional video for the project and one that we hope will encourage you to submit an idea that captures this most entertaining element of Lawrence’s life. The video editing was by a very talented 2nd year English student called Izaak Bosman. It was originally created for our instagram account but we’ve also reformatted it to include it on our YouTube channel.
Now get angry…
In the DH Lawrence Memory Theatre we want to address various aspects of Lawrence’s life through artefacts. Was Lawrence’s rage some kind of coping mechanism, or was he genuinely angered by those around him? Can we trace particular moments when he was at his angriest? Perhaps we could all do with being a bit angrier today instead of hiding behind our glossy online avatars and disingenuous status updates. In 2019 we will be building our Memory Theatre and retracing Lawrence’s savage pilgrimage both physically and digitally. If you have an idea for an artefact, get involved and submit ideas here.